| Le film de famille comme document historique S Aasman Le film de famille: usage privé, usage public. Paris: Méridiens Klincksieck …, 1995 | 35 | 1995 |
| Ritueel van huiselijk geluk: een cultuurhistorische verkenning van de familiefilm S Aasman Het Spinhuis, 2004 | 34 | 2004 |
| Amateur media and participatory cultures: Film, video, and digital media A Motrescu-Mayes, S Aasman Routledge, 2019 | 33 | 2019 |
| Doing experimental media archaeology. Epistemological and methodological reflections on experiments with historical objects of media technologies A Fickers, A Van den Oever New media archaeologies, 45-68, 2018 | 30* | 2018 |
| Hands-on! Plädoyer für eine experimentelleMedienarchäologie A Fickers TG Technikgeschichte 82 (1), 67-86, 2015 | 26 | 2015 |
| Introduction: nontheatrical film D Streible, M Roepke, A Mebold Film History, 339-343, 2007 | 26 | 2007 |
| Saving private reels: Archival practices and digital memories (Formerly Known as Home Movies) in the digital age S Aasman Amateur Filmmaking: The Home Movie, the Archive, the Web, 245-256, 2014 | 23 | 2014 |
| Materializing Memories: Dispositifs S Aasman, A Fickers, J Wachelder Generations, Amateurs, 2018 | 12 | 2018 |
| Audiovisual Data in Digital Humanities A Fickers, P Snickars, M Williams VIEW Journal of European Television History and Culture 7 (14), 1-4, 2019 | 10 | 2019 |
| Home movies, a new technology, a new duty, a new cultural practice S Aasman Private Eyes and the Public Gaze: The Manipulation and Valorisation of …, 2009 | 8 | 2009 |
| Finding Traces in YouTube’s Living Archive: Exploring Informal Archival Practices S Aasman Journal of Media History 22 (1), 35-55, 2019 | 7 | 2019 |
| Materializing memories: Dispositifs, generations, amateurs S Aasman, A Fickers, J Wachelder Bloomsbury Publishing USA, 2018 | 7 | 2018 |
| Home Mode, Community Mode, Counter Mode: Three Functional Modalities for Coming to Terms with Amateur Media Practices T Slootweg Materializing Memories: Dispositifs, Generations, Amateurs, 203-216, 2018 | 6 | 2018 |
| Democratic Television in The Netherlands: Two Curious Cases of Alternative Media as Counter-Technologies T Slootweg, S Aasman VIEW Journal of European Television History and Culture 4 (7), 21-37, 2015 | 6 | 2015 |
| Retelling journalism: Conveying stories in a digital age M Broersma, C Peters Peeters, 2014 | 5 | 2014 |
| Chicken and Egg: Reporting from a Datathon Exploring Datasets of the COVID-19 Special Collections S Aasman, N Bingham, N Brügger, K De Wild, S Gebeil, V Schafer | 4 | 2021 |
| Tales of a Tool Encounter: Exploring video annotation for doing media history S Aasman, L Melgar Estrada, T Slootweg, R Wegter VIEW Journal of European Television History and Culture 7 (14), 73-87, 2018 | 4 | 2018 |
| Impossible family portraits: Users, new media technologies and the writing of amateur media history S Aasman New Cinemas: Journal of Contemporary Film 11 (2-3), 111-125, 2013 | 4 | 2013 |
| Amateurism: Exploring its Multiple Meanings in the Age of Film, Video, and Digital Media S Aasman, T van der Heijden, T Slootweg Digital Roots: Historicizing Media and Communication Concepts of the Digital …, 2021 | 3 | 2021 |
| Grounding TV’s material heritage: Place-based projects that value or vilify amateur videocassette recordings of television J VanderBurgh VIEW Journal of European Television History and Culture 8 (15), 59-78, 2019 | 3 | 2019 |
