| Authenticity, change and loss in the conservation of time-based media installations P Laurenson Tate papers 6 (6), 2006 | 270 | 2006 |
| The management of display equipment in time-based media installations P Laurenson Studies in Conservation 49 (sup2), 49-53, 2004 | 76 | 2004 |
| Collecting performance-based art: new challenges and shifting perspectives P Laurenson, V Van Saaze Performativity in the gallery: Staging interactive encounters, 27-41, 2014 | 71 | 2014 |
| Old media, new media? Significant difference and the conservation of software-based art P Laurenson New collecting: Exhibiting and audiences after new media art, 73-96, 2016 | 46 | 2016 |
| Mind the gap: rigour and relevance in collaborative heritage science research C Dillon, N Bell, K Fouseki, P Laurenson, A Thompson, M Strlič Heritage Science 2, 1-22, 2014 | 35 | 2014 |
| Emerging institutional models and notions of expertise for the conservation of time-based media works of art P Laurenson Technè. La science au service de l’histoire de l’art et de la préservation …, 2013 | 29 | 2013 |
| Developing Strategies for the Conservation of Installations Incorporating Time-Based Media with Reference to Gary Hill's Between Cinema and a Hard Place P Laurenson Journal of the American Institute for Conservation 40 (3), 259-266, 2001 | 22 | 2001 |
| The conservation and documentation of video art P Laurenson Modern art: Who cares, 264, 1999 | 17 | 1999 |
| Designing for inconsistency–the dependency-based PERICLES approach JY Vion-Dury, N Lagos, E Kontopoulos, M Riga, P Mitzias, G Meditskos, ... New Trends in Databases and Information Systems: ADBIS 2015 Short Papers and …, 2015 | 14 | 2015 |
| An Ontology Design Pattern for Digital Video. P Mitzias, M Riga, S Waddington, E Kontopoulos, G Meditskos, ... WOP, 2015 | 12 | 2015 |
| Vulnerabilities and contingencies in the conservation of time-based media works of art P Laurenson Inside Installation: Theory and Practice in the Care of Complex Artworks …, 2011 | 12 | 2011 |
| Developing strategies for the conservation of installations incorporating time-based media: Gary Hill’s between cinema and a hard place P Laurenson Tate Papers 1 (1), 2004 | 11 | 2004 |
| Performativity in the gallery: staging interactive encounters M Leino, L MacCulloch, O Remes, L Campbell, M Chatzichristodoulou, ... Critique d’art, Livres collectifs, 2014 | 9 | 2014 |
| Practice as research: unfolding the objects of contemporary art conservation P Laurenson Maastricht University, 2016 | 7 | 2016 |
| Ontology-based representation of context of use in digital preservation. E Kontopoulos, M Riga, P Mitzias, S Andreadis, TG Stavropoulos, ... WHiSe@ ESWC, 65-72, 2016 | 6 | 2016 |
| The Live List: What to Consider When Collecting Live Works P Laurenson, C Berndes, H Folkerts, D Franssen, A Glew, P de Haan, ... Collecting the Performative Network, January 24, 2014 | 6 | 2014 |
| Bridging the gaps between theory and practice through cross-institutional collaboration in the conservation of contemporary art P Laurenson, V van Saaze, R van de Vall Engaged humanities: rethinking art, culture, and public life. Amsterdam …, 2022 | 5 | 2022 |
| Dependency modelling for inconsistency management in Digital Preservation–The PERICLES approach N Lagos, M Riga, P Mitzias, JY Vion-Dury, E Kontopoulos, S Waddington, ... Information Systems Frontiers 20, 7-19, 2018 | 5 | 2018 |
| Between cinema and a hard place: The conservation and documentation of a video installation by Gary Hill P Laurenson AIC 28th Annual Meeting, Philadelphia, Pa, 2000 | 5 | 2000 |
| Finding photography: Dialogues between anthropology and conservation H Geismar, P Laurenson Max Planck Research Library for the History and Development of Knowledge, 2019 | 4 | 2019 |
