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Melanie Wald-Fuhrmann
Melanie Wald-Fuhrmann
MPI for Empirical Aesthetics, Frankfurt/M., Germany
Verified email at ae.mpg.de - Homepage
Title
Cited by
Cited by
Year
Cross-cultural work in music cognition: Challenges, insights, and recommendations
N Jacoby, EH Margulis, M Clayton, E Hannon, H Honing, J Iversen, ...
Music Perception 37 (3), 185-195, 2020
542020
Atonal music: Can uncertainty lead to pleasure?
I Mencke, D Omigie, M Wald-Fuhrmann, E Brattico
Frontiers in Neuroscience 12, 979, 2019
262019
Viral tunes: changes in musical behaviours and interest in coronamusic predict socio-emotional coping during COVID-19 lockdown
LK Fink, LA Warrenburg, C Howlin, WM Randall, NC Hansen, ...
Humanities and Social Sciences Communications 8 (1), 1-11, 2021
242021
Der Kanon der Musik: Theorie und Geschichte. Ein Handbuch
K Pietschmann, M Wald-Fuhrmann
edition text+ kritik, 2013
12*2013
"Ein Mittel wider sich selbst." Melancholie in der Instrumentalmusik um 1800
M Wald-Fuhrmann
Bärenreiter, 2010
122010
Experiencing musical beauty: Emotional subtypes and their physiological and musico-acoustic correlates.
D Omigie, K Frieler, C Bär, R Muralikrishnan, M Wald-Fuhrmann, ...
Psychology of Aesthetics, Creativity, and the Arts 15 (2), 197, 2021
112021
Locus of emotion influences psychophysiological reactions to music
J Merrill, D Omigie, M Wald-Fuhrmann
PlosOne 15, e0237641, 2020
112020
Welterkenntnis aus Musik. Athanasius Kirchers "Musurgia universalis"
M Wald
Bärenreiter, 2006
10*2006
“The sound of affect”: Age differences in perceiving valence and arousal in music and their relation to music characteristics and momentary mood
C Cohrdes, C Wrzus, M Wald-Fuhrmann, M Riediger
Musicae Scientiae 24 (1), 21-43, 2020
82020
Synchrony in the periphery: inter-subject correlation of physiological responses during live music concerts
A Czepiel, LK Fink, LT Fink, M Wald-Fuhrmann, M Tröndle, J Merrill
Scientific reports 11 (1), 1-16, 2021
62021
Live und interaktiv: ästhetisches Erleben im Konzert als Gegenstand empirischer Forschung
C Seibert, J Toelle, M Wald-Fuhrmann
Das Konzert II, 425-444, 2018
62018
Physiological synchrony in audiences of live concerts.
W Tschacher, S Greenwood, H Egermann, M Wald-Fuhrmann, A Czepiel, ...
Psychology of aesthetics, creativity, and the arts, 2021
52021
“He Who Sings, Prays Twice”? Singing in Roman Catholic Mass Leads to Spiritual and Social Experiences That Are Predicted by Religious and Musical Attitudes
M Wald-Fuhrmann, S Boenneke, T Vroegh, KP Dannecker
Frontiers in Psychology, 2371, 2020
52020
Moment musical: Die Wahrnehmbarkeit der Zeit durch Musik
M Wald
Das achtzehnte Jahrhundert 30, 207-220, 2006
4*2006
Music listening in classical concerts: Theory, Literature review, and research program
M Wald-Fuhrmann, H Egermann, A Czepiel, K O’Neill, C Weining, ...
Frontiers in psychology 12, 1324, 2021
32021
The aesthetic experience of live concerts: Self-reports and psychophysiology.
J Merrill, A Czepiel, LT Fink, J Toelle, M Wald-Fuhrmann
Psychology of Aesthetics, Creativity, and the Arts, 2021
32021
Entfremdung vom Vertrauten: Das Tonsystem als kompositorischer Problemraum und Herausforderung für die Theorie
M Wald-Fuhrmann
Komponieren in der Renaissance: Lehre und Praxis, 65-103, 2013
32013
Geistliche Vokalmusik
M Wald-Fuhrmann
Bruckner Handbuch, 224-289, 2010
32010
„Ein Mittel wider sich selbst “
M Wald-Fuhrmann
Melancholie in der Instrumentalmusik um, 1800
31800
Musik und Subjektivität
M Wald-Fuhrmann
Historische Musikwissenschaft: Grundlagen und Perspektiven, 289-306, 2014
22014
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Articles 1–20